The weddings of Bertrand de Roussillon and Gilette de Narbonne (fol.Liturgy: the sacrament of marriage, Pèlerinage de vie humaine (BNF Fr.Marriage, Facta et dicta memorabilia (BNF Fr.The marriage of David and Michal, the Bedford Psalter and Hours (Brit.52), and Tristan and Isolt of the White Hands (fol. The weddings of Tanor and Celinde (fol.1400-1410 in this scene, the the bride is the crowned figure, second from the right Betrothal scene: the lady of the house (in the red gown) joins the couple's hands, wall-painting at Sværdborg church in Denmark, c.Denis (British Library Royal 20 C VII, fol. 10), and Philip, Duke of Burgundy, and Margaret of Flanders (fol. The marriages of King Philip III of France and Mary of Brabant (fol.The sacrament of marriage on a base-de-page in the Trés Belles Heures de Notre Dame (BNF NAL 3093, fol.Marriage, Omne Bonum (British Library Royal 6 E VI, fol.The Marriage the Kiss of the Bride the Bride Abandoned by Nicolo da Bologna, c.181v), Concordantiae caritatis (Stiftsbibliothek Lilienfeld 151), c. 166v) and another bride and bridegroom (fol. 165v), a bride led to a flower-covered bed (fol. A marriage ceremony, Giovanni dAndrea's Glossa ordinaria in Librum Sextum (St.A marriage ceremony, the Liber Sextus Decretalium of Boniface VIII (St.A marriage ceremony, Guido da Baysio's commentary on the Liber Sextus Decretalium (St.Marriage, The Stefaneschi Missal (PML M.713, fol.The marriage of Gilbert Becket and the Saracen emir's daughter, The Queen Mary Psalter (British Library Royal 2 B VII, fol.The Wedding at Cana by Duccio di Buoninsegna, 1308-1311.Some 15th century examples dress the bride in a sideless surcoat that was, at that late date, associated with ceremonial costume, primarily for princesses and queens however, many of the illustrations depicting brides in such a costume seem to illustrate the wedding of a princess, anyway. Some 14th century brides carry a set of purses (see Michael Camille’s The Medieval Art of Love for further discussion on this practice). Most of the examples below cover the later Middle Ages and the Renaissance colors and styles generally cover the same array of what was fashionable at the time (or, in the case of the 16th century “peasant weddings,” of what was worn by women of that social status). In truth – there seems to be no overwhelming trends, in terms of color or style.
Take, for example, the color of a wedding dress - should it be green? blue? white? And must it be a cotehardie? Plenty of webpages will cheerfully tell readers all about medieval wedding dresses, or wedding dresses of the Renaissance - usually, they're generalizations based on little or no factual information.
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